{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/672f4a5861e4ef810f7e3ca1/6a85c9ca39e73ea8f33ee361?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Indiana Jones And The Temple Of Doom - with Erik Woods","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/672f4a5861e4ef810f7e3ca1/1787152827622-cedd52a0-f1ea-4b50-8a68-2244a5579688.jpeg?height=200","description":"<p>For todays episode, we are skipping the soup with the eyeballs and diving headfirst into the musical mines of John Williams' 1984 masterpiece! We are breaking down the score for Indiana Jones and the Temple of Doom, and trust me, when it comes to orchestrations this wild, anything goes! To make sure we don't accidentally fall into a death trap of bad musical analysis, I am thrilled to be joined by the legendary Erik Woods of the Cinematic Sound Radio Podcast. Together, we will be marching through a slave children's crusade of frantic brass, terrifying Sanskrit chants, and adrenaline-pumping ostinatos. So strap into your mine carts and prepare to have your hearts ripped out—metaphorically, of course—as we unpack the darkest, craziest, and most thrilling adventure score in cinema history!</p><p><br></p><p>The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Walt Disney, Lucasfilm or Polydor Music, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.</p><p>Score composed by John Williams soundtrack release via Polydor Music, 1984 and Concorde Records, 2008, all rights reserved.</p><p>'The Deadwood Stage (Whip Crack Away)' Written by Sammy Fain and Paul Francis Webster. Performed by Doris Day. Copywright 1953 Columbia Records / Sony Music, all rights reserved.</p>","author_name":"Rich Marsden"}