{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/671bc74922be238ac96d04a3/6a24b433a2db34bb8996a2e7?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"War Horse Returns — Plus Helen George in High Society & Isis Hainsworth on Arcadia","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/671bc74922be238ac96d04a3/1780789609750-12243d49-ad24-4cd7-b559-11a4582e452d.jpeg?height=200","description":"<p>War Horse is back...After nearly two decades, the show that transformed theatre has returned to the National Theatre. Nick, Nick and Nancy discuss whether it still hits, and why it might matter even more right now. Plus young critic Dash returns to the pod to give his verdict from the stalls of the Olivier. </p><p><br></p><p>We also review Cole Porter musical High Society at the Barbican, starring Helen George as Tracy Lord, a role made famous by both Grace Kelly and Katharine Hepburn, alongside Felicity Kendal, Freddie Fox and Nigel Lindsay.</p><p><br></p><p>Isis Hainsworth — who lit up the Old Vic's Arcadia and just won the Ian Charleson Award — joins Nancy for a  conversation about imposter syndrome and Tom Stoppard's terrifying cleverness. And Martina Laird answers our five questions ahead of her play Driftwood at the Kiln. </p><p><br></p><p>Follow us on Instagram and watch us on YouTube @thelondontheatrereview. </p><p><br></p>","author_name":"London Theatre Review"}