{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/671bc74922be238ac96d04a3/6a08ce4b8bd09f5c48b44da5?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Gary Oldman's Krapp reviewed - plus Monica Barbaro and the best play of the year","description":"<p>It's only been a few weeks since we went away, but so much theatre has happened in the meantime...Nick Curtis, Nick Clark and Nancy Durrant are back to fill you in on all the goings on in London. And we kick off the season with a stellar episode: we review Gary Oldman's return to the stage for the first time in 40-odd years as he takes on Samuel Beckett's play Krapp's Last Tape at the Royal Court. </p><p><br></p><p>The play we couldn't stop talking about all last year has transferred to the West End - Ava Pickett's blistering, hilarious Tudor drama 1536 - but does it live up to our memories of it first time round?</p><p><br></p><p>And the star of Top Gun Maverick and A Complete Unknown, the fabulous Monica Barbaro, talks to Nick Curtis about her stage debut in Les Liaisons Dangereuses at the National Theatre alongside Aidan Turner and Lesley Manville. She talks about turning to the stage, how it feels to play difficult material eight times a week, and how you sprint in a lavishly designed ball gown. </p><p><br></p><p>Plus artistic director of Shakespeare's Globe Michelle Terry answers five questions. </p><p><br></p><p>Follow us on Instagram and watch us on YouTube @thelondontheatrereview. </p>","author_name":"London Theatre Review"}