{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/671bc74922be238ac96d04a3/67cc5af2ffae9c0f4e9b9f45?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Score, Alterations, Arinzé Kene","description":"<p>The great Brian Cox transforms himself into Johann Sebastian Bach for Oliver Cotton's play The Score at the Theatre Royal Haymarket. Music to our ears, or a bum note? Nick, Nancy and Producer Tim give their views. We've also got a review of the National Theatre production of Michael Abbensetts's seminal play Alterations, set in a tailoring shop in 1970s London, plus Nick Curtis pulls himself away from his poolside holiday to speak to its star, the brilliant Arinzé Kene.</p><p><br></p><p>Thanks for Art of London for sponsoring the podcast. Find out about brilliant things to do in London at artoflondon.co.uk.</p><p><br></p><p>We love hearing from you, so follow us @thelondontheatrereview on Insta or email thelondontheatrereview@gmail.com to get in touch. </p>","author_name":"London Theatre Review"}