{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/671225a2e21e2bb31474f29c/686fa0a8ea74e132fb79e32b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Artificial Intelligence and Creative Work","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/671225a2e21e2bb31474f29c/1752146386820-caa98c9b-5f94-4e90-b101-0971ccb5716b.jpeg?height=200","description":"<p>In this podcast Dan Ashton (Professor of Cultural and Creative Industries at the University of Southampton and one of Work Futures Research Centre Co-Directors) and Dr Karen Patel (Associate Professor in Media in the College of English and Media and Co-Lead of the Centre for Equality, Diversity and Inclusion in the Arts (CEDIA) at Birmingham City University) explore the relationship between Artificial Intelligence (AI) and creative work.&nbsp;Set within the quickly changing landscape of AI and the creative industries where there are ongoing debates around intellectual property, the nature of creativity and the impact on work practices, this podcast explores their research on&nbsp;construction of a humanoid robot artist identity.</p><p><br></p><p>References:</p><p><br></p><p><a href=\"https://www.bbc.co.uk/news/technology-34066941\" rel=\"noopener noreferrer\" target=\"_blank\">Will a robot take your job?</a></p><p><br></p><p>&nbsp;</p><p><a href=\"https://www.oxfordmartin.ox.ac.uk/publications/the-future-of-employment\" rel=\"noopener noreferrer\" target=\"_blank\"><em>The Future of Employment</em></a></p><p><br></p><p>&nbsp;</p><p><a href=\"https://kclpure.kcl.ac.uk/ws/portalfiles/portal/301198516/SCF_report_AI_and_the_reformulation_of_cultural_labour_2024.pdf\" rel=\"noopener noreferrer\" target=\"_blank\"><em>AI and the reformulation of cultural labour&nbsp;&nbsp;&nbsp;&nbsp;</em></a><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</em></p><p><br></p><p><em>&nbsp;</em></p><p><a href=\"https://www.qmul.ac.uk/centre-creative-collaboration/media/arts-and-culture/website-2024/CREAATIF-Parliamentary-Briefing---FINAL-4.pdf\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Creative Industries and GenAI: Policy recommendations to support an industry in transition</em></a></p><p><br></p><p><em>&nbsp;</em></p><p><a href=\"https://journals.sagepub.com/doi/10.1177/1350508416687765\" rel=\"noopener noreferrer\" target=\"_blank\">Assemblages of creativity: Material practices in the creative economy</a></p><p><br></p><p>&nbsp;</p><p><a href=\"https://www.transformationsjournal.org/wp-content/uploads/2022/03/Trans36_07_ashton.pdf\" rel=\"noopener noreferrer\" target=\"_blank\">Creative Work and Artificial Intelligence: Imaginaries, Assemblages and Portfolios</a></p><p><br></p><p>&nbsp;</p><p><a href=\"https://www.bloomsbury.com/us/politics-of-expertise-in-cultural-labour-9798881858742/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>The Politics of Expertise in Cultural Labour: Arts, Work, Inequalities</em></a></p><p><br></p><p>&nbsp;</p><p><a href=\"https://journals.sagepub.com/doi/full/10.1177/13548565231220310\" rel=\"noopener noreferrer\" target=\"_blank\">‘People don’t buy art, they buy artists’: Robot artists – work, identity, and expertise</a></p><p><br></p><p>&nbsp;</p>","author_name":"Ben Thomas"}