{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6707736dc6c20d9c3945a2fe/67af878c8fcb786175752d5a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Brutalist (2024): \"Concrete Dreams and Complicated Accents\"","description":"<p>In this episode of <em>Can I Change My Score</em>, Sophie and Matt tackle <em>The Brutalist</em>, a three-and-a-half-hour epic packed with architectural ambition, immigrant struggles, and questionable Hungarian accents. They unpack Adrian Brody’s tormented portrayal of a post-war architect, the film’s sweeping cinematography shot in VistaVision, and the unexpectedly welcome built-in intermission. But does the movie’s historical weight hold up when they realise it’s not based on real events? Sophie is enthralled, Matt remains skeptical, and they both question if <em>The Brutalist</em> is a masterpiece – or just a really long film with beautifully grey lighting.</p>","author_name":"Sophie and Matt"}