{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/66e789642e655d1044516f3c/69ca4938fcd79a3415ecd374?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Can we kick it with Jack Lovel","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/66e789642e655d1044516f3c/1774864574769-46630b4a-a5b5-45ff-adc1-3981fd5f262a.jpeg?height=200","description":"<p>Jack Lovel is a Melbourne-based architectural photographer who has spent the better part of a decade chasing light through modernist houses, and making some arresting images in Australian architecture photography. In this episode, we trace the full arc – from a first trip to Europe with a borrowed camera, to growing up in an Ivanoff-designed house in Perth, to somehow ending up in the Hamptons in the summer, photographing mid-century houses on Long Island.</p><p><br></p><p>Jack talks about the personal project that changed everything: his decade-long documentation of the work of West Australian architect Ivan Ivanoff, which started as a modest exhibition in Perth and snowballed into a book, a Melbourne exhibition, and shows at the London Festival of Architecture, and Modernism Week in Palm Springs. Something Jack doesn’t shy away from talking about is always searching for that balance between commercial work and personal projects – and why doing the soul-feeding, non-paying stuff is what usually opens the door to exciting new projects.</p><p><br></p><p>We also talk about patience as a skill, the fine line between loosening up and losing the plot, and why Jack will never let his work be mistaken for AI slop.</p><p>Check out Jack’s work at jacklovel.com, and follow him on <a href=\"https://www.instagram.com/jack.lovel/\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram at @jack.lovel</a>.</p>","author_name":"Aleesha Callahan and David Constantine"}