{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/66a9cbceec85576657c15c85/69b164dfc891dc74e827fbce?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Measure For Measure: ‘Some Rise by Sin, and Some by Virtue Fall’","description":"<p>Episode 207&nbsp;</p><p><br></p><p>Whereas the larger-than-life characters in ‘Othello’ left us with no moral ambiguities, but plenty of questions about the nature of the outsider and society’s attitude towards those who are different.&nbsp;&nbsp;Shakespeare’s next offering, ‘Measure for Measure’ was a very different piece with few of those certainties.</p><p><br></p><p>The dating and earliest performance of the play</p><p>The early print history of the play</p><p>Changes made by Thomas Middleton</p><p>The source material for the play</p><p>A brief synopsis of the play</p><p>Comedy of Tragicomedy?</p><p>Issues with the structure of the play</p><p>Justice and mercy</p><p>The premise of the play examined</p><p>How the characters avoid easy categorisation</p><p>The role of the duke</p><p>The role of Isabella</p><p>The role of Angelo</p><p>The role of Lucio</p><p>The ending of the play and Isabella’s response to the duke</p><p>The mixed critical response to the play</p><p>The later performance history of the play</p><p>Measure for Measure on film</p><p><br></p><p><br></p><p><br></p><p>Support the podcast at:</p><p><a href=\"http://www.thehistoryofeuropeantheatre.com/\" rel=\"noopener noreferrer\" target=\"_blank\">www.thehistoryofeuropeantheatre.com</a></p><p><a href=\"http://www.patreon.com/thoetp\" rel=\"noopener noreferrer\" target=\"_blank\">www.patreon.com/thoetp</a></p><p><a href=\"http://www.ko-fi.com/thoetp\" rel=\"noopener noreferrer\" target=\"_blank\">www.ko-fi.com/thoetp</a></p>","author_name":"Philip Rowe"}