{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/66a9cbceec85576657c15c85/692d6bb39b21443f8518cf8e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Cynthia’s Revels: ‘O That Joy So Soon Should Waste’","description":"<p>Episode 196:</p><p><br></p><p>The origins of the play written for the court and the Children of the Chaple playing company</p><p>Why this type of play is a fit for the child playing troupes</p><p>The print history of the play</p><p>A brief synopsis of the play</p><p>Myth, Satire and Masque - the complexities with getting an understanding of the play</p><p>The minor role of plot compared to words and music in the play</p><p>The performance style of the boy playing companies compared to the adult companies</p><p>The verbal sketching of characters as part of the satiric intent</p><p>The play as part of the battle of the poets</p><p>Unpicking the satiric portraits in the play</p><p>The introduction of the Poetaster</p><p>The masque and it’s role in the play</p><p>Jonson’s coded support for the Earl of Essex in the play</p><p>Early responses to the play and the longer historical view</p><p><br></p><p>Link to European Review of History Podcast:</p><p><a href=\"https://podcasts.apple.com/gb/podcast/european-review-of-history-podcast/id1695812614\" rel=\"noopener noreferrer\" target=\"_blank\">https://podcasts.apple.com/gb/podcast/european-review-of-history-podcast/id1695812614</a></p><p><br></p><p>Support the podcast at:</p><p><a href=\"http://www.thehistoryofeuropeantheatre.com/\" rel=\"noopener noreferrer\" target=\"_blank\">www.thehistoryofeuropeantheatre.com</a></p><p><a href=\"http://www.patreon.com/thoetp\" rel=\"noopener noreferrer\" target=\"_blank\">www.patreon.com/thoetp</a></p><p><a href=\"http://www.ko-fi.com/thoetp\" rel=\"noopener noreferrer\" target=\"_blank\">www.ko-fi.com/thoetp</a></p>","author_name":"Philip Rowe"}