{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/66a9cbceec85576657c15c85/68fe430418bcdad2abfeb4c1?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Speaking Hamlet: A Conversation with Colin David Reese","description":"<p>Episode 193</p><p><br></p><p>For today’s guest episode it is a very welcome return to the podcast for Colin David Reese, who I last spoke to in early 2023, when we discussed his play ‘Shakespeare Unbound: A Gift to the Future’ and Shakespeare in general.&nbsp;&nbsp;If you missed those episodes you will find them as part of season five, first released in February and April 2023.</p><p><br></p><p>On this occasion I asked Colin to discuss Shakespeare’s use of language, with particular reference to Hamlet, and how that language is used to create character.&nbsp;&nbsp;Colin goes in some depth into two of Hamlet’s most famous speeches from the play, so, although it is not essential you might find it useful to have a copy of the speeches to hand to follow along.&nbsp;&nbsp;You will need ‘To be or not to be’, from Act three scene one and ‘O what a rogue and peasant slave am I’ from act two scene two.&nbsp;&nbsp;We also spoke about the differences between the quarto and folio versions of the play with examples of the language from them, and as this have become a long, but very richly detailed episode, I have split it into two and will share the part dealing with characterisation and particularly Polonius after my second episode discussing the play.</p><p><br></p><p>Colin David Reese has not only a lifetime of acting experience behind him, but a lifetime of Shakespeare study too.&nbsp;&nbsp;That started in his family life where his actor father had a Shakespeare quote for every occasion and continued with his first professional engagement when aged twelve, he played Shakespeare’s illegitimate son.&nbsp;&nbsp;Along with his many acting roles he has run his own acting company and undertaken in depth study of Shakespeare and the Commedia Dell’arte</p><p><br></p><p>Link to RSC To Be Or Not to Be sketch on YouTube : <a href=\"https://www.youtube.com/watch?v=kEs8rK5Cqt8\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.youtube.com/watch?v=kEs8rK5Cqt8</a></p><p><br></p><p>Link to Colin's website: <a href=\"https://shakespeareunbound.org/\" rel=\"noopener noreferrer\" target=\"_blank\">https://shakespeareunbound.org</a></p><p><br></p><p><br></p><p>Support the podcast at:</p><p><a href=\"http://www.thehistoryofeuropeantheatre.com/\" rel=\"noopener noreferrer\" target=\"_blank\">www.thehistoryofeuropeantheatre.com</a></p><p><a href=\"http://www.patreon.com/thoetp\" rel=\"noopener noreferrer\" target=\"_blank\">www.patreon.com/thoetp</a></p><p><a href=\"http://www.ko-fi.com/thoetp\" rel=\"noopener noreferrer\" target=\"_blank\">www.ko-fi.com/thoetp</a></p>","author_name":"Philip Rowe"}