{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/66a9cbceec85576657c15c85/6818d9fef30c20bff746f82a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Merry Wives of Windsor: ‘Wives May be Merry and Yet Honest Too’","description":"<p>Episode 170:&nbsp;</p><p><br></p><p>The dating of the play</p><p>The tradition of the queen Elizabeth commission</p><p>The tradition of the connection to the Garter Ceremony</p><p>The Question of who played Falstaff</p><p>A summary of the plot</p><p>The early publication history of the play in short quarto editions</p><p>The sources for the play</p><p>The very specific location of the play</p><p>The character of Falstaff</p><p>The way the dominating prose of the play is used to define characters</p><p>The change in Mistress Quickly and her use of language</p><p>The stereotypical comedy of foreigners in Dr Caius and Parson Evans</p><p>Was the play written for one audience, but then changed to fit another?</p><p>The play as a city comedy and how Shakespeare subverts the genre</p><p>The influence of Queen Elizabeth’s position as a female ruler on the play</p><p>The later performance history of the play</p><p><br></p><p>Support the podcast at:</p><p><a href=\"http://www.thehistoryofeuropeantheatre.com/\" rel=\"noopener noreferrer\" target=\"_blank\">www.thehistoryofeuropeantheatre.com</a></p><p><a href=\"http://www.patreon.com/thoetp\" rel=\"noopener noreferrer\" target=\"_blank\">www.patreon.com/thoetp</a></p><p><a href=\"http://www.ko-fi.com/thoetp\" rel=\"noopener noreferrer\" target=\"_blank\">www.ko-fi.com/thoetp</a></p>","author_name":"Philip Rowe"}