{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/66a2674e99c0cc0a51322107/67c7668e48f26a4bcabb5e9b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"UK Desk for Arts Express 2-12-25: No Longer Human ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/66a2674e99c0cc0a51322107/1741121029349-83c13532-0f3c-4ffe-b7d1-2a74e417b678.jpeg?height=200","description":"<p>And I wonder—if Dazai were alive today, would he even stand a chance? Would he be dismissed as “too bleak” for publishers? Would he be buried under a thousand AI-generated books designed to mimic his style but lacking his soul? Would an algorithm decide that his work was too risky, too unpredictable, too human?</p><p>Art, when it’s real, doesn’t follow the rules. It doesn’t obey authority. It doesn’t ask permission to exist. And maybe that’s why Dazai still resonates today—because his work is a reminder of what art is&nbsp;<em>supposed</em>&nbsp;to be. It’s a slap in the face to a world that wants everything to be palatable, profitable, and safe.</p><p><br></p><p>So maybe the real question isn’t whether Dazai would survive in today’s world. Maybe the question is—would today’s world even deserve him?</p><p><br></p><p>I reflect on my relationship with the work of Dazai and crucially the impact 'No Longer Human' had on my personal since Lockdown. </p>","author_name":"Jack Clarke"}