{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/669e888d60b0ed46da3c4bbb/6ad8415b70af2b1aa7b67f19?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"We Can Work It Out - Episode 104 with Scott DeVeaux","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/669e888d60b0ed46da3c4bbb/1792560563201-39164afa-d3b3-44b6-a741-89fa138d9746.jpeg?height=200","description":"<p>On this episode of our Beatles podcast, music historian Scott DeVeaux joins Kenyon and Peter to explore the song We Can Work It Out. The song originated from a fight between Paul and Jane Asher, but wasn&#39;t considered complete until John came in with a darker middle 8 to complete the composition.</p><p><br></p><p>We are just getting into Rubber Soul season, and if the first few songs are any indication, it&#39;s going to be a great ride.</p><p><br></p><p>We cover:</p><p><br></p><p>-Paul McCartney&#39;s relationship with Jane Asher, Margaret Asher, and the importance of the Asher family</p><p>-The mysterious &quot;Lucy from Littletown&quot; demo and Beatrix Potter&#39;s The Tale of Mrs. Tiggy-Winkle</p><p>-John Lennon&#39;s middle eight and competing interpretations of the song&#39;s lyrics</p><p>-George Harrison&#39;s suggested shift into 3/4 time and the Beatles&#39; evolving use of unusual meters</p><p>-The October 1965 recording sessions</p><p>-The harmonium and the its place in the emerging Rubber Soul sound</p><p>-The three promotional films filmed at Twickenham Studios</p><p>-The double-A-side release with Day Tripper</p>","author_name":"Note By Note Series"}