In this Beatles Lecture Series, “Yes It Is” stops sounding like a simple warning about a color and starts sounding like grief masked as control, with the lecture arguing the real “it” is pride and the performance carries a ghost-like weight. You also get a guided listen through the three-part harmony, why it feels unusually crunchy and a little unstable, how it shifts between tight clusters and barbershop-like movement, and the question of how much George Martin may have shaped what we’re hearing.
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