{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/66851dfe4cb273e46171cfa9/6a98fa72d54ec94380988de9?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Fighting the \"No's\" - The Art of Producing with Liz Watts","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/66851dfe4cb273e46171cfa9/1788410241414-6308f782-cdce-4068-8979-d9b92d2a5c6d.jpeg?height=200","description":"<p>Today we sit down with Liz Watts, Head of Film and Television, Australia at See-Saw Films. Liz is one of Australia's most successful producers, with credits including <em>Animal Kingdom</em> and <em>The King</em>. Since joining See-Saw, she's executive produced <em>Apple Cider Vinegar</em> for Netflix, produced <em>The Royal Hotel</em>, and led us up a mountain with See-Saw's upcoming Apple Original film, <em>Tenzing</em>.</p><p><br></p><p>We get into the art of producing — a job that's a little hard to understand from the outside. We talk about the relentless drive it takes to bring a project together, the instinct and taste behind choosing what to spend years of your life on, and what it really means to back the talent you work with.</p><p><br></p><p>Next week in part two, we do a deep dive case study into producing <em>Tenzing</em> — working with a cross-cultural cast and crew, the detail required to stay on top of budgets, and the creative philosophy that held the whole production together.</p><p><br></p><p><br></p><p>Host: Emile Sherman</p><p><br></p><p>Producer: @jonahprimo on Instagram, Jonah Primo on Letterboxd https://boxd.it/cjFIF</p><p><br></p><p>Composer: @Adiescar</p><p><br></p><p>Artwork: @studiostromberg</p><p><br></p><p>A See-Saw Films Production</p>","author_name":"See-Saw Films"}