{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/66851dfe4cb273e46171cfa9/66aa054dab1347ecaab7da49?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Royal Hotel","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/66851dfe4cb273e46171cfa9/1722418468281-4b7fd89b-6f08-46a3-86c5-4743d2a67905.jpeg?height=200","description":"<p>How does a project make its way onto a See-Saw slate? And to what extent is the creative integrity of a film influenced by the commercial imperatives of the industry? Emile speaks with See-Saw’s development producer Bill Bowring and director Kitty Green, about her psychological thriller The Royal Hotel. They discuss cross-continental script writing, how to fit a seven-week shoot into five, and the fine line between light and dark when building character and tension.</p><p><br></p><p><a href=\"https://www.instagram.com/see_saw_films/\" rel=\"noopener noreferrer\" target=\"_blank\">@see_saw_films</a></p><p>Host: Emile Sherman</p><p>Guests: <a href=\"https://www.instagram.com/kittygreen/\" rel=\"noopener noreferrer\" target=\"_blank\">@KittyGreen</a> and <a href=\"https://www.instagram.com/billybowring/\" rel=\"noopener noreferrer\" target=\"_blank\">@BillyBowring</a></p><p>Executive Producer: <a href=\"https://www.instagram.com/sam_joly_/\" rel=\"noopener noreferrer\" target=\"_blank\">@Sam_Joly_</a></p><p>Producer: Sabrina Organo</p><p>Composer: <a href=\"https://www.instagram.com/adiescar/\" rel=\"noopener noreferrer\" target=\"_blank\">@Adiescar</a></p><p>Artwork: <a href=\"https://www.instagram.com/studiostromberg/\" rel=\"noopener noreferrer\" target=\"_blank\">@studiostromberg</a></p><p><br></p><p>A <a href=\"https://www.see-saw-films.com/\" rel=\"noopener noreferrer\" target=\"_blank\">See-Saw Films</a> Production</p>","author_name":"See-Saw Films"}