{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/66750218d93b3d0012b73db7/66767f5412f87c00120ed482?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Episode 6: The act of transition itself is an act of creation.","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/66750218d93b3d0012b73db7/1719041688957-593136fc6b9de1a21e1817dc2862d8b7.jpeg?height=200","description":"<p><strong>Janet Anderson</strong> recently starred in <em>Overflow</em>, a play written by non-binary artist Travis Alabanza. Her solo performance was a tour de force and aligned her personal with her political. The play was presented when trans people dominated headlines, during a time of debate about bathroom usage. <em>Overflow</em> was a creative haven; the entire Trans and Gender Diverse creative team allowed Anderson to bring her whole self to the rehearsal room, something rarely afforded to Trans creatives.</p><p><br></p><p>Queering the Collection is created by <strong>Tristan Meecham.</strong></p><p>Editing and audio production by Jess Fairfax.</p><p>Presented by Arts Centre Melbourne, in association with the Australian Performing Arts Collection and The Australian Queer Archives.</p><p>Special thanks to Ian Jackson, Ange Bailey and Nick Henderson for their curatorial work.</p><p>Photo of Janet Anderson by Andrew Fraser, provided by artist.</p>","author_name":"Arts Centre Melbourne and Tristan Meecham"}