{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/665600bb22875600129cbc14/6abd622a787195a30e700cfd?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Ep. 337 | Mags's PhD: Decoding the Oseberg Ship Tapestries w/ Margrethe Havgar","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/665600bb22875600129cbc14/1792049862012-27e242f4-7b10-43e9-8017-281c97166ae7.jpeg?height=200","description":"<p>What does it take to complete a doctoral dissertation in archaeology—and what secrets lie within the Oseberg ship&#39;s fragile textiles? Daniel Farrand sits down with co-host and in-house archaeologist Margrethe (Mags) Havgar to deconstruct her PhD research: <em>Tracing Threads of Thought: A visual exploratory reanalysis of the creatures of the Oseberg tapestries and their rhythms</em>. </p><p><br></p><p>Mags details her four-year journey analyzing Scandinavia’s largest Viking Age textile find, debunking persistent myths along the way. She explains how early archaeologists labeled the Oseberg ship a fragile &quot;pleasure craft&quot; due to gendered bias and reconstruction errors, why the tapestries functioned like narrow 6-to-9-inch narrative comic strips, and how bird and serpent figures were deliberately arranged to guide the human eye. </p><p><br></p><p>Unlock our entire 300+ episode archive and the exclusive extended patron Q&amp;A on Patreon: <a href=\"https://www.patreon.com/nordicmythologypodcast\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.patreon.com/nordicmythologypodcast</a> | Handcrafted historical goods: <a href=\"https://www.hornsofodin.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.hornsofodin.com</a></p>","author_name":"Daniel Farrand"}