{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/664e2d9873726900125eca30/665ef01446cf460012aa9f1d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"“A Collective Dream”: Community, Countersocieties, & Counterpublics","description":"<p>What exactly was so radical about these squatters’ “radical communities”? In this episode, Maya offers a few frameworks to analyze the way life in Berlin’s squats diverged from the mainstream, in particular looking at the ways squatters thought about queer identity, anti-capitalist ideology, age, and art. She also examines the stories of the Black people that appeared in the margins of this historical narrative.</p><p><br></p><p>Citations:</p><ul><li><em>Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement</em> by Tiffany Florvil (2020)</li><li>Assorted images, Friedrichshain-Kreuzberg Museum Archives&nbsp;</li><li>“The Public Sphere: an Encyclopedia Article” by Jürgen Habermas, Sara Lennox and Frank Lennox (article in </li><li><em>New German Critique</em>, 1974)</li><li>“Tuntenhaus Forellenhof 1990: Gay Communism’s Short Summer” curated by Bastian Krondorfer, <em>Schwules Museum </em>(<a href=\"https://www.schwulesmuseum.de/ausstellung/tuntenhaus-forellenhof-1990-gay-communisms-short-summer/?lang=en\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.schwulesmuseum.de/ausstellung/tuntenhaus-forellenhof-1990-gay-communisms-short-summer/?lang=en</a>)</li><li>“Toward a Generic Concept of Counter-culture” by Keith A. Roberts (article in <em>Sociological Focus, </em>1978)</li><li><em>Metropolitan Preoccupations: The Spatial Politics of Squatting in Berlin </em>by Alexander Vasudevan (2015)</li><li><em>Publics and Counterpublics</em> by Michael Warner (2002)</li></ul>","author_name":"Maya Green"}