{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/664ba75b9a162b0012a2e05f/664f0cc37a8a050012c8efbe?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"K Pop","description":"<p>Our&nbsp;first episode&nbsp;comes to you&nbsp;en&nbsp;route to Seoul via London&nbsp;ahead of our visit to South Korea for the 2024 CISAC General Assembly.&nbsp;</p><p><br></p><p>In this episode, we interview three UK-based songwriters who write for the K-pop market: producer, songwriter and mix engineer&nbsp;<strong>James Reynolds</strong>&nbsp;and songwriting duo&nbsp;<strong>Arcades&nbsp;</strong>(aka Max Graham and Matt Thomson) who between them, have written for artists such as&nbsp;<strong>BTS, Fifty&nbsp;Fifty,&nbsp;Enhypen,&nbsp;Shinee, Le&nbsp;Sserafim&nbsp;and Seventeen</strong>, as well as&nbsp;Anglo-American artists such as&nbsp;<strong>Years &amp; Years, Julia Michaels, Disciples, Sigrid, Paloma Faith, Calvin Harris&nbsp;</strong>and<strong>&nbsp;Gorgon City</strong>.&nbsp;</p><p><br></p><p>They talk to us about the opportunities that are available, how writing K-Pop has enabled them to make a sustainable living, and their use of and concerns around AI in the creative process.&nbsp;&nbsp;</p>","author_name":"Anna Neale"}