{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6626c0bb5dd0140012ca4c11/6ae0c67b33b363c95de9ba44?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"This Documentary Is the Psychopath-Off of the Year","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6626c0bb5dd0140012ca4c11/1793115710157-f7d3f08d-0d01-4edc-a743-9ab3dfbc75f8.jpeg?height=200","description":"<p><em>You Can See Everything, </em>the new documentary from Nathan Fielder and Lance Oppenheim about the Theranos founder Elizabeth (or “Liz”) Holmes, has proven to be a real cultural moment — the biggest non-music documentary opening since <em>Fahrenheit 9/11 </em>in 2004. </p><p><br></p><p>In this episode, Clara, Trey, and Eli discuss the enduring cultural curiosity surrounding Elizabeth Holmes, her domineering, coke-addled boyfriend Billy Evans, and why the film’s success and hype can be attributed to its stripped back production and secretive rollout. </p>","author_name":"with Clara Malley, Eli Williams, and Trey Taylor"}