{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/662654e288ff1d0012631baa/697229f08262298970ce3411?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"There’s Nothing Left to Prove: Inside Already Perfect","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/662654e288ff1d0012631baa/1769089470275-d1884111-6ad9-4110-997a-efc59f652b34.jpeg?height=200","description":"<p>In this episode, Darren and Natalie dive into the UK premiere of&nbsp;<strong>Already Perfect</strong>, the new folk-rock musical now playing at King’s Head Theatre.</p><p><br></p><p>Written by&nbsp;<strong>Tony Award-winner Levi Kreis</strong>,&nbsp;<em>Already Perfect</em>&nbsp;is an intimate, soul-infused piece that unfolds in a Broadway dressing room on the brink of collapse - where past and present collide in a raw, often funny reckoning with identity, addiction, faith and self-worth.</p><p><br></p><p>Natalie sits down with the show’s creator and star&nbsp;<strong>Levi Kreis</strong>, alongside producer&nbsp;<strong>Larry Lelli</strong>&nbsp;and director&nbsp;<strong>Dave Solomon</strong>, to talk about the deeply personal origins of the piece, translating lived experience into musical theatre, and why this story of self-acceptance feels more urgent than ever. They discuss the show’s gospel-tinged score, its emotional honesty, and the challenge of balancing intimacy with theatrical scale.</p><p><br></p><p>Alongside the interview, Darren and Natalie share their critical response to the production, from the standout performances and striking design to the conversations the show is provoking with audiences.</p>","author_name":"Natalie Maher & Darren Murphy"}