This week Darren and Natalie explore three strikingly different productions - each asking big questions about love, belief, bravery and connection - from intimate relationship drama to festive comedy and razor-sharp contemporary writing. Daniel’s Husband, Gawain and the Green Knight and Most Favoured with backstage chat with actor Alexander Arnold.
Daniel’s Husband – Marylebone Theatre
Daniel and Mitchell appear to have it all: successful careers, a beautifully curated home, devoted friends, and a deep love for one another. But when an unexpected crisis threatens their future, their relationship is pushed to its limits. Tender, intelligent and quietly devastating, Daniel’s Husband is an unflinching exploration of love, morality and where our strongest convictions truly live - in our hearts, or in our minds.
Gawain and the Green Knight – Park Theatre
From the comedy writers behind The Nag’s Head and Sniff, this riotous reinvention of the classic legend swaps medieval castles for corporate Camelot. Meet Gawain: an office everyman hoping for a promotion and the courage to ask out his crush - until a mysterious green figure crashes the Christmas party and launches him into a quest of temptation, danger and destiny. Expect laugh-out-loud comedy, multi-rolling madness, festive chaos and heroic silliness in equal measure.
Most Favoured – Soho Theatre
From award-winning playwright David Ireland (The Fifth Step, Cyprus Avenue), this sharp, funny and unexpectedly profound two-hander stars Lauren Lyle and Alexander Arnold. After a one-night stand in a Travelodge, Mary and Mike reveal the truths they’ve been hiding - leading to a bold exploration of faith, loneliness and vulnerability, with a twist you won’t see coming. Directed by Max Elton, Most Favoured proves that a short play can still pack a huge emotional punch.
Backstage Interview
Darren goes backstage with Alexander Arnold, currently appearing in Most Favoured, to talk about tackling David Ireland’s writing, holding a tight two-hander, navigating that unexpected twist, and why risk, faith and short plays can still leave a lasting impact.
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