{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6616b831a9dc1e00168de1dd/698b2d395fc77c93277ae025?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"EP20 Marcin Pietruszewski","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6616b831a9dc1e00168de1dd/1770728682979-ea789b92-a2b4-4477-8cfa-844443a24104.jpeg?height=200","description":"<p>Marcin Pietruszewski is a composer and researcher. He is engaged in sound synthesis and composition with computers, exploring specific formal developments in the tradition of electroacoustic music and contemporary sound art, as well as extra-musical domains of auditory design, computational linguistics and psychoacoustics. He works across performance, multimedia installation and radio productions probing the dynamics between formalism of synthetic sound and its material realisation.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p><p><br></p><p><a href=\"https://www.marcinpietruszewski.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Marcin’s website</a></p><p>&nbsp;</p><p><a href=\"https://era.ed.ac.uk/server/api/core/bitstreams/52092c7c-4ef1-448d-8757-5d246ab93cf0/content\" rel=\"noopener noreferrer\" target=\"_blank\">Steven R Holtzman’s PhD Thesis</a></p><p><br></p><p><a href=\"https://karlrecords.bandcamp.com/album/la-l-gende-deer\" rel=\"noopener noreferrer\" target=\"_blank\">La Légende d'Eer by Xenakis</a></p><p>&nbsp;</p><p><a href=\"https://academic.oup.com/book/39395/chapter/339085297\" rel=\"noopener noreferrer\" target=\"_blank\">The Myth of Perfect Fidelity Melle Jan Kromhout</a></p><p>&nbsp;</p><p><a href=\"https://normification.bandcamp.com/album/normification-diag071\" rel=\"noopener noreferrer\" target=\"_blank\">NORMIFICATION</a></p><p>&nbsp;</p><p><a href=\"https://norm.to/\" rel=\"noopener noreferrer\" target=\"_blank\">Norm</a></p><p>&nbsp;</p><p><a href=\"https://florianhecker.blogspot.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Florian Hecker</a></p><p>&nbsp;</p><p><a href=\"https://piethopraxis.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Marcus Schmickler</a></p><p>&nbsp;</p><p><a href=\"https://direct.mit.edu/books/monograph/3887/Auditory-Scene-AnalysisThe-Perceptual-Organization\" rel=\"noopener noreferrer\" target=\"_blank\">Albert Bregman Auditory Scene Analysis</a></p><p>&nbsp;</p><p><a href=\"https://christopherhaworth.bandcamp.com/album/auditory-distortion-synthesis\" rel=\"noopener noreferrer\" target=\"_blank\">Auditory Distortion Synthesis by Christopher Hayworth</a></p><p>&nbsp;</p><p><a href=\"https://en.wikipedia.org/wiki/Combination_tone\" rel=\"noopener noreferrer\" target=\"_blank\">Tartini Tones / Combination Tones</a></p><p>&nbsp;</p><p><a href=\"https://en.wikipedia.org/wiki/Maryanne_Amacher\" rel=\"noopener noreferrer\" target=\"_blank\">Maryanne Amacher</a></p><p>&nbsp;</p><p><a href=\"https://sonig.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Sonig</a></p><p>&nbsp;</p><p><a href=\"https://en.wikipedia.org/wiki/G%C3%A9rard_Grisey\" rel=\"noopener noreferrer\" target=\"_blank\">Gerard Grisey</a></p><p>&nbsp;</p><p><a href=\"https://en.wikipedia.org/wiki/Jocelyn_Bell_Burnell\" rel=\"noopener noreferrer\" target=\"_blank\">Jocelyn Bell Burnell</a></p><p>&nbsp;</p><p><a href=\"https://www.curtisroads.net/\" rel=\"noopener noreferrer\" target=\"_blank\">Curtis Roads</a></p><p>&nbsp;</p><p><a href=\"https://www.antheacaddy.net/\" rel=\"noopener noreferrer\" target=\"_blank\">Anthea Caddy</a></p>","author_name":"Jim Reeve-Baker"}