Welcome back to Equalised Sound! On this episode, Jenna Fentimen (AWFC Board) & Alice Benton (Music Supervisor / Producer, SIREN) are joined by:
Emilie Levienaise-Farrouch, a classical pianist and film composer whose credits include: psychological horror Censor, The Strays, Andrew Haigh's BAFTA and Golden Globe-nominated All of Us Strangers), The Agency (Paramount+) and H Is For Hawk, directed by Philippa Lowthorpe.
Lucy Bright, a music supervisor and publisher working mainly in film and television, with recent work including Shane Meadows’s This is England ’90, The Virtues and The Gallows Pole, Charlotte Wells’s Aftersun and Todd Field’s Tár, The History of Sound starring Paul Mescal and Josh O’Connor. Her music publishing company Bright Notion Music represents a roster of treasured composers and artists.
Charlotte-Anne Myler, Partnerships & Engagement Manager at Universal Production Music and a lead member of UMPG’s Diversity & Inclusion Committee, working to make Music Publishing more accessible to underrepresented groups. Charlotte-Anne is also the Co-Chair & Co-CEO of The Cat’s Mother, a nonprofit that supports young women from diverse & low-income backgrounds starting their careers in the business side of the music industry.
Together we discuss their careers and how they found their paths, the power of mentorship and the importance of allyship.
00:00 - 03:47 Introductions
03:48 - 10:02 Emilie’s career journey into film composition
10:03 - 17:25 Lucy’s career journey & supervision projects
17:26 - 25:37 Charlotte-Anne’s career into production music
25:38 - 27:15 The Cat’s Mother network
27:17 - 34:09 Important of mentorship & community
34:10 - 41:45 How we define ourselves
41:46 - 48:30 Advice for anyone coming through the industry
48:32 - 53:16 Emilie’s creative process & working with directors
53:17 - end What’s coming up for Lucy, Emilie & Charlotte-Anne
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