{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/65d32dda565a5500168bea92/6a54c37e3e018503d617aa55?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Archiving a Legacy with Tammi Lawson & Crystal Moten","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/65d32dda565a5500168bea92/1784126227811-b079e17e-4ed7-4714-a6d3-15d732cc29ba.jpeg?height=200","description":"<p>Founded on what its creator called \"vindicated evidence,\" the Schomburg holds one of the most comprehensive collections of Black art in any public institution — including diaries, correspondence, photographs, poetry, and sculptures by Meta Vaux Warrick Fuller.</p><p><br></p><p>In this episode, Crystal Moten, Associate Director of Collections at the Schomburg Center, and Tammi Lawson, curator of the Art and Artifacts Division, discuss how the Center's radical commitment to public access has shaped the recovery of Fuller's legacy, from the two life-size casts of <em>Ethiopia Awakening</em> on permanent display to the manuscript collection that holds her diaries and letters. They reflect on the intellectual labor of Black women artists during the Harlem Renaissance, drawing on Crystal Moten's research on Black women's work, and on the role of speculative thinking in filling the gaps that incomplete archives leave behind, drawing on Saidiya Hartman's framework. They also trace a lineage of Black women sculptors from Fuller through Augusta Savage, Elizabeth Catlett, and Simone Leigh, arguing that Fuller's work was not simply a beginning, but a vanguard.</p><p><br></p><p>This special series of <a href=\"https://globalcenters.columbia.edu/paris/atelier\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Atelier</em></a> was produced in conjunction with a three-day symposium dedicated to celebrating the work and life of Meta Vaux Warrick Fuller. Across these conversations, we bring together scholars, curators, and other special guests to revisit her legacy and situate it within its historical moment.</p><p><br></p><p>The symposium and podcast series were made possible with support from the <a href=\"https://globalcenters.columbia.edu/paris\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia Global Paris Center</a> and the <a href=\"https://www.terraamericanart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Terra Foundation for American Art</a>, and with the participation of the <a href=\"https://ideasimagination.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia Institute for Ideas and Imagination</a>, the <a href=\"https://www.nypl.org/locations/schomburg\" rel=\"noopener noreferrer\" target=\"_blank\">Schomburg Center for Research in Black Culture</a>, the <a href=\"https://www.metmuseum.org/fr\" rel=\"noopener noreferrer\" target=\"_blank\">Metropolitan Museum of Art</a>, and the <a href=\"https://danforth.framingham.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Danforth Art Museum at Framingham State University</a>.</p><p><br></p><p>Website - <a href=\"http://globalcenters.columbia.edu/paris\" rel=\"noopener noreferrer\" target=\"_blank\">globalcenters.columbia.edu/paris</a></p><p>Newsletter - <a href=\"http://globalcenters.columbia.edu/content/paris-newsletters\" rel=\"noopener noreferrer\" target=\"_blank\">globalcenters.columbia.edu/content/paris-newsletters</a></p><p>Instagram - <a href=\"http://instagram.com/cgcparis\" rel=\"noopener noreferrer\" target=\"_blank\">instagram.com/cgcparis</a></p><p>LinkedIn - <a href=\"http://linkedin.com/company/cgcparis\" rel=\"noopener noreferrer\" target=\"_blank\">linkedin.com/company/cgcparis</a></p><p>YouTube - <a href=\"http://youtube.com/@CGCParis\" rel=\"noopener noreferrer\" target=\"_blank\">youtube.com/@CGCParis</a></p><p><br></p><p>Host: Marie Doezema</p><p>Production: Marie Doezema, Tessa Overvoorde, and Anthony Valette</p><p>Editing: Theo Albaric</p><p>Music: Robert Schumann’s <em>Rêverie</em> performed by Magdalena Stern-Baczewska</p><p><br></p><p>The <a href=\"https://globalcenters.columbia.edu/paris\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia Global Paris Center</a> is part of a network of 11 global centers of Columbia University in the City of New York, one of the world's leading academic institutions. The centers serve as knowledge hubs that aim to educate and inspire through research, dialogue, and action. They advance understanding, facilitate partnerships, and build the bridges necessary to tackle our changing world.</p><p><a href=\"https://global.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia Global</a> brings together the<a href=\"https://globalcenters.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\"> Columbia Global Centers</a>, <a href=\"https://worldprojects.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia World Projects</a>, the <a href=\"https://cgt.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Committee on Global Thought</a>, and the <a href=\"https://ideasimagination.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Institute for Ideas and Imagination</a>.</p>","author_name":"Columbia Global Paris Center"}