{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/65d32dda565a5500168bea92/6a43c6b7a34d3049d94119cc?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Recovering a Life's Work with Jessica Roscio & Rachel Passannante","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/65d32dda565a5500168bea92/1783939791803-b33db234-96e5-46fd-97b6-44cfe6768373.jpeg?height=200","description":"<p>Museums rarely build a permanent space around a single artist's life, but doing so can transform how an institution understands its own collection. The Danforth Art Museum's relationship to Meta Vaux Warrick Fuller, whose family gifted nearly 400 works to the museum in 2006, has evolved through building a hard-won permanent gallery and a recreated studio space modeled on a single surviving photograph.</p><p><br></p><p>In this episode, Jessica Roscio, director and curator at the Danforth Art Museum, and Rachel Passannante, the museum's associate curator, discuss how they built Fuller's permanent gallery after the museum's 2019 relocation, the ongoing research challenges posed by undocumented and unattributed works, and their continued relationship with the Fuller family, including descendant David Fuller in Framingham. They describe the 1910 fire that destroyed much of Fuller's early body of work, the recovery of her career through later commissions including <em>Ethiopia Awakening</em>, and the more than century-old scrapbook recently donated to the museum, now digitized and accessible through the Danforth's website.</p><p><br></p><p>This special series of <a href=\"https://globalcenters.columbia.edu/paris/atelier\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Atelier</em></a> was produced in conjunction with a three-day symposium dedicated to celebrating the work and life of Meta Vaux Warrick Fuller. Across these conversations, we bring together scholars, curators, and other special guests to revisit her legacy and situate it within its historical moment.</p><p><br></p><p>The symposium and podcast series were made possible with support from the <a href=\"https://globalcenters.columbia.edu/paris\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia Global Paris Center</a> and the <a href=\"https://www.terraamericanart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Terra Foundation for American Art</a>, and with the participation of the <a href=\"https://ideasimagination.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia Institute for Ideas and Imagination</a>, the <a href=\"https://www.nypl.org/locations/schomburg\" rel=\"noopener noreferrer\" target=\"_blank\">Schomburg Center for Research in Black Culture</a>, the <a href=\"https://www.metmuseum.org/fr\" rel=\"noopener noreferrer\" target=\"_blank\">Metropolitan Museum of Art</a>, and the <a href=\"https://danforth.framingham.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Danforth Art Museum at Framingham State University</a>.</p><p><br></p><p>Website - <a href=\"http://globalcenters.columbia.edu/paris\" rel=\"noopener noreferrer\" target=\"_blank\">globalcenters.columbia.edu/paris</a></p><p>Newsletter - <a href=\"http://globalcenters.columbia.edu/content/paris-newsletters\" rel=\"noopener noreferrer\" target=\"_blank\">globalcenters.columbia.edu/content/paris-newsletters</a></p><p>Instagram - <a href=\"http://instagram.com/cgcparis\" rel=\"noopener noreferrer\" target=\"_blank\">instagram.com/cgcparis</a></p><p>LinkedIn - <a href=\"http://linkedin.com/company/cgcparis\" rel=\"noopener noreferrer\" target=\"_blank\">linkedin.com/company/cgcparis</a></p><p>YouTube - <a href=\"http://youtube.com/@CGCParis\" rel=\"noopener noreferrer\" target=\"_blank\">youtube.com/@CGCParis</a></p><p><br></p><p>Host: Marie Doezema</p><p>Production: Marie Doezema, Tessa Overvoorde, and Anthony Valette</p><p>Editing: Theo Albaric</p><p>Music: Robert Schumann’s <em>Rêverie</em> performed by Magdalena Stern-Baczewska</p><p><br></p><p>The <a href=\"https://globalcenters.columbia.edu/paris\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia Global Paris Center</a> is part of a network of 11 global centers of Columbia University in the City of New York, one of the world's leading academic institutions. The centers serve as knowledge hubs that aim to educate and inspire through research, dialogue, and action. They advance understanding, facilitate partnerships, and build the bridges necessary to tackle our changing world.</p><p><a href=\"https://global.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia Global</a> brings together the<a href=\"https://globalcenters.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\"> Columbia Global Centers</a>, <a href=\"https://worldprojects.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Columbia World Projects</a>, the <a href=\"https://cgt.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Committee on Global Thought</a>, and the <a href=\"https://ideasimagination.columbia.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Institute for Ideas and Imagination</a>.</p>","author_name":"Columbia Global Paris Center"}