{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/65d2eb5c8cc32000152072b7/6a6ea0b3c7cc27169d7a4204?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Secular","description":"<h4>“In the secular night you wander around</h4><h4>alone in your house. It’s Two-Thirty”</h4><h4>- Margaret Atwood, In the Secular Night </h4><p><br></p><p><br></p><p>Regina Mamou is a research-based installation artist whose work sits at the crossroads of history, ideology and scent. Raised in a multiethnic household, her mother Polish-American, her father a Christian Chaldean priest who fled Iraq for fear of persecution. Regina's practice blends fact and fiction to interrogate belief systems, particularly communism and totalitarianism. Since 2020, she has been the first artist-in-residence at The Wende Museum of the Cold War in Los Angeles, where she investigates Iraqi-Soviet bilateral relations through an immersive, experiential installation. She holds an MFA from the School of the Art Institute of Chicago, a BFA from the Rhode Island School of Design, and completed a Fulbright project on mapping and memory in Amman, Jordan.</p><p><br></p><p>In this episode, Regina shares her unique work at the crossroads of olfactive art, history and political memory, and how scent can evoke powerful narratives and personal histories. We talk about her use of tincturing, and materials like gypsum, ash and bitumen, to conjure historical and cultural memory, and the delicate process of capturing vapour in immersive, scent-based installations.</p><p><br></p><p>We dig into the role of surprise, secrecy and the unexpected in her work, echoes of surveillance and propaganda, and how her Iraqi heritage threads through pieces exploring Middle Eastern history and identity. Regina's piece \"Hang Our Gods\" was a finalist at the Institute for Art and Olfaction's Golden Pear Awards, and we talk about the audience reactions it provokes. We also pair the conversation with Margaret Atwood's poem \"In the Secular Night,\" exploring its themes of solitude, loss and spirituality alongside Regina's own meditations on memory and belief.</p><p><br></p><p>Works mentioned:</p><p><a href=\"https://www.reginamamou.com/projects/hang-our-gods-craft-contemporary\" rel=\"noopener noreferrer\" target=\"_blank\">Hang Our Gods </a>(Institute for Art and Olfaction Golden Pear Awards finalist), Iraqi-Soviet relations installation — The Wende Museum residency</p><p><br></p><p>Poem discussed:</p><p><a href=\"https://www.poetryfoundation.org/poems/47786/in-the-secular-night\" rel=\"noopener noreferrer\" target=\"_blank\">In the Secular Night - Margaret Atwood</a></p><p><br></p><p>Find Regina at:</p><p><a href=\"https://www.reginamamou.com/about\" rel=\"noopener noreferrer\" target=\"_blank\">reginamamou.com</a></p><p><a href=\"http://researchbermudatriangle.xyz\" rel=\"noopener noreferrer\" target=\"_blank\">researchbermudatriangle.xyz</a></p><p><br></p><p>Theme music for the show was created by Raul Sanchez I Jorge. Check out his solo work on Wild Animal Records</p><p><br></p><p><strong>Australian listeners</strong> — the Geelong Fragrance Fair is on from 11–13 September 2026, and tickets are on sale now. It's a great opportunity for the Australian fragrance community to get together — come and see me pair books with Lore Perfumery live on the Saturday!</p><p>Tickets &amp; info: <a href=\"http://geelongfragrancefair.com.au\" rel=\"noopener noreferrer\" target=\"_blank\">geelongfragrancefair.com.au</a></p>","author_name":"Clare Presser"}