{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/65cfa25f81b49600151ba564/65cfa368f78e3800174405c6?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Tropisme #1: Beverly Glenn-Copeland - Ever New","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/65cfa25f81b49600151ba564/1708106545083-95ba19a4f00b024d2860321a72732b49.jpeg?height=200","description":"<p>Bom dia querides 🌼  </p><p><br></p><p>I am pleased to share the first installment of a series where I'll speak about records, artists, labels,... without limitations of genres and topics.</p><p><br></p><p>This is called Tropismes.  </p><p><br></p><p>✺  </p><p><br></p><p>Influenced by the antinovel by Nathalie Sarraute, a tropism is biologically speaking the growth or turning movement of an organism, usually a plant, in response to an environmental stimulus. In Sarraute's own word and definition, it is an \"interior movement that precede and prepare our words and actions, at the limits of our consciousness.\"  </p><p><br></p><p>⌾  </p><p><br></p><p>The first bit is about Beverly Glenn-Copeland, and more specifically about his track 'Ever New', on the album Keyboard Fantaisies, released in 1986. A piece and a person that had such a huge impact on me. And still have.</p><p>In December 2016, I’ve been introduced to Beverly Glenn-Copeland thanks to the incoming repress of his album Keyboard Fantaisies by Invisible City Editions, originally released in cassette in 1986.</p><p>I eventually got my hands on the Seance Centre version. And Transgressive made another repress on 2021! The music being at the chore of all of these releases.  </p><p><br></p><p>✾  </p><p><br></p><p>https://www.instagram.com/gerald.nuance/</p><p>https://nuance.radio/</p>","author_name":"Gérald Nuance"}