{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/65be364c8911d3001780e396/6624e88746d36f00138d92b8?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Minefield That Is … Soundalikes Part 1","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/65be364c8911d3001780e396/1713694821685-33d6785f6690d90172341c41fd35c76a.jpeg?height=200","description":"<p>This episode explores the science and art of creating Soundalikes, the perils and pitfalls to avoid, tips for managing client expectations, the role of the musicologist&nbsp;and the potential impact of AI.</p><p><br></p><p>Participating in the conversation are composer and producer Simon Elms (Eclectic Sounds), PCAM director, composer and producer Chris Smith (The Barbershop Music Co) and Greg Owens (Creative Director, Gas Music).</p><p><br></p><p>This episode is hosted and moderated by PCAM Chair, Paul Reynolds (Senior VP, Massive Music).</p><p><br></p><p><strong>Resource References include</strong></p><p>PRS For Music:&nbsp;&nbsp;<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">htpps://www.prsformusic.com</a></p><p>PCAM:<a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">&nbsp;htpps://www.pcam.co.uk</a></p><p><br></p>","author_name":"PCAM"}