{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/65be364c8911d3001780e396/6624e80270a48900121eb99d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Show Me the Money Part 2 ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/65be364c8911d3001780e396/1713694680372-c112d6efae3dbf6d9ffe02d8778fdb2d.jpeg?height=200","description":"<p>In this PCAM podcast we discuss the important subject of how to construct, negotiate and justify a music budget, how to interrogate a fixed budget to ensure it is sufficient to do the job and the framework that PCAM provides to enable a detailed budget to be properly calculated and presented to client.</p><p><br></p><p>Taking part in this conversation are freelance composer &amp; sound designer, Bankey Ojo, Sam Heath (Exec Creative Producer at Sounds Like These) and PCAM director, composer &amp; producer, Chris Smith (MD, The Barbershop Music Co).</p><p><br></p><p>This episode is hosted and moderated by Greg Owens (Creative Director at Gas Music).</p><p><br></p><p><strong>Resource References include:</strong></p><p>The Musicians Union -&nbsp;<a href=\"https://musiciansunion.org.uk/\" rel=\"noopener noreferrer\" target=\"_blank\">https://musiciansunion.org.uk</a></p><p>PCAM -&nbsp;<a href=\"https://pcam.co.uk/\" rel=\"noopener noreferrer\" target=\"_blank\">https://pcam.co.uk</a></p><p>PRS Member Services -&nbsp;<a href=\"https://prsformusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://prsformusic.com</a></p><p>Forever Audio -&nbsp;<a href=\"https://foreveraudio.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://foreveraudio.com</a></p><p>SCOREcast - Facebook/SCOREcast: London</p><p><br></p>","author_name":"PCAM"}