{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/65b841aab80cfa0016d40383/6920cae6c367efee96353814?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Mac","description":"<p><br></p><p>Loren McMurray (saxophone) with the orchestras of Eddie Kuhn (1920): You’re Just Like a Rose. Mike Markel (1921): I Wonder If You Still Care For Me, I Wonder Who You’re Calling Sweetheart, Say Persianna Say!, Idola, Blue Eyes Blues, Alabama Blues, Two Wooden Shoes. The Virginians (1922): I Wish I Could Shimmy Like My Sister Kate. Bailey’s Lucky Seven: Homesick. Lanin’s Southern Serenaders: Doo Dah Blues, Shake It and Break It, Eddie Leonard Blues. Eddie Davis: Hot Lips. Mike Markel (1922): Lonesome Mama Blues.</p><p><br></p><p>This starts in 1920 with a KC band where Mac got his launch. Seven tunes from Markel is maybe a slog but interesting and well recorded for 1921 from a talented society orchestra, McMurray being featured. In the second half the jazz tunes from 1922 pick up the pace. That’s Cliff Edwards eefing on Doo Dah Blues, a sample of what would become widespread two years later. McMurray expanded the paradigm for the alto as the dominant melodic instrument plus low register slap tongue. McMurray had a busy recording career for about three years 1920-1922 and then he was gone at age 25, leaving the legacy of the alto as a star melodic lead.</p>","author_name":"Jazz in the Public Domain"}