{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6577144059a0980012c9531d/67bf0f1d64dd9075373442cc?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"S2: E4 Cybernetic Serendipity, 1968","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6577144059a0980012c9531d/1740577798502-91b821dc-e47e-4c14-b7fe-679ba2d9fc27.jpeg?height=200","description":"<p>In this episode Malika Browne talks to Melanie Lenz, digital curator at the V&amp;A about the groundbreaking exhibition Cybernetic Serendipity at the ICA in `London in 1968 in a discussion that explores the origins and the military uses of cybernetics, the difference between cybernetics and AI, and the effect this show had on its visitors in the pre-computer age.</p><p><br></p><p><strong>DO NOT MISS Electric Dreams at Tate Modern on til 1st June 2025, about art and technology before the internet. It has a whole room about Cybernetic Serendipity! </strong></p><p><br></p><p><u>Further Reading:</u></p><p><a href=\" https://www.historyofinformation.com/detail.php?entryid=1089 \" rel=\"noopener noreferrer\" target=\"_blank\">\"Cybernetic Serendipity\": The First Widely-Attended International Exhibition of Computer Art</a></p><p><a href=\"https://www.youtube.com/watch?v=n8TJx8n9UsA\" rel=\"noopener noreferrer\" target=\"_blank\">Seven minute piece of footage from 1968 of curator Jasia Reichardt explaining her fascinating show </a></p><p><br></p><p>This is a Froody Music production. Thanks to Martin Lumsden</p>","author_name":"Malika Browne"}