{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/65749ad7438c7c00134db16a/665f8db2aa134f00123fa16c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"15. Raffaello Morales: an alternative to concert halls, the commercial viability of classical music, and following his curiosity","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/65749ad7438c7c00134db16a/1740679480747-2650e55b-c227-41d3-9c64-1fd1679e17c2.jpeg?height=200","description":"<p>Raffaello Morales is the founder and music director of the Fidelio Cafe in London, known and well-loved for their 'classical dinner-concert' series, comprising a one-hour concert by an established musician or ensemble, followed by a three-course menu specially curated for that evening's programme. Within the wider Fidelio project, Raffaello also conducts the Fidelio Orchestra, run as a charity with the intent of providing high-level orchestral experience for young musicians, with the likes of Angela Hewitt and Cedric Tiberghien on its roster of former collaborators.</p><p><br></p><p>In this episode, Raffaello talks about the role of the concert hall, and why he favours a less formal setting for live music; the adaptations the current classical music model might need to make in order to ride the waves of change; and the desire to bring classical music to as wide a public as possible without undervaluing the intimate live music experience.</p><p><br></p><p>-------------------</p><p><br></p><p>Fidelio links:</p><p><a href=\"https://fidelio.cafe/\" rel=\"noopener noreferrer\" target=\"_blank\">Website</a></p><p><a href=\"https://www.instagram.com/fideliorchestra/\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram</a></p><p><a href=\"https://twitter.com/fideliocaf\" rel=\"noopener noreferrer\" target=\"_blank\">X (formerly Twitter)</a></p><p><a href=\"https://www.facebook.com/fideliorchestra/\" rel=\"noopener noreferrer\" target=\"_blank\">Facebook</a></p><p><br></p><p>-------------------</p><p><br></p><p>Follow The Classical Circuit on <a href=\"https://www.instagram.com/theclassicalcircuit/\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram</a></p><p><br></p><p>Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*</p><p>No offence taken if not.</p><p><br></p><p>--------------------</p><p><br></p><p>This podcast is also available to listen to via <a href=\"https://theviolinchannel.com/podcasts/\" rel=\"noopener noreferrer\" target=\"_blank\">The Violin Channel</a></p><p><br></p><p>--------------------</p><p><br></p><p>Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins</p><p>Performed by <a href=\"https://www.daniel-lebhardt.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Daniel Lebhardt</a></p><p><br></p><p>--------------------</p><p><br></p><p>The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).</p>","author_name":"Ella Lee"}