{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/655bcd2464b7080012a59c75/655bcd2b6c959600128461c5?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Tina Charad: the magical & the mundane","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/655bcd2464b7080012a59c75/1704200377706-7b5025af3e532003c326bd8ba55c0988.jpeg?height=200","description":"<p>LA-based designer Tina Charad has worked on some of the biggest blockbuster films you could probably think of, including <em>'The Batman,' 'Once Upon a Time... in Hollywood,' 'Blonde,' 'Avengers: Infinity War,' 'La La Land,' 'Maleficent,' 'Pirates of the Caribbean,' </em>to name but a few, and she’s most recently worked on <em>'The Lord of the Rings: The Rings of Power,'</em> and Marvel’s <em>'Werewolf by Night.'</em></p><p><br></p><p>But, despite her impressive list of credits, Tina is not one to self-aggrandise. Instead, Tina talks to Stephen about the realities of her job - that it’s as much mundane as it is magical - and how she feels the glamour of the movies often disguises the reality of making them.</p><p><br></p><p>Tina tells us about her move from the UK to the US, from advertising to filmmaking, and offers her straightforward advice to any designers considering a similar change in their career.</p><p><br></p><p>Links:&nbsp;</p><p><br></p><p>Tina's website</p><p>www.tinacharad.com</p><p><br></p><p>Opening Credits Instagram</p><p>www.instagram.com/openingcredits</p><p><br></p><p>Creative Community - Join the Opening Credits network here</p><p>www.facebook.com/groups/openingcreditsnetwork</p><p><br></p><p>Newsletter - Sign up for Opening Credits updates here</p><p>www.openingcredits.net</p><p><br></p><p>Hosted and produced by <a href=\"http://www.stephennutley.co.uk\" rel=\"noopener noreferrer\" target=\"_blank\">Stephen Nutley</a>.</p>","author_name":"OPENING CREDITS®"}