{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/652249c535acc00011eba952/69928b9bd6c27a06bb10dd23?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Haydn Green on ten years of Hear My Eyes and conjuring  sensory experiences by combining films with new live music compositions","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/652249c535acc00011eba952/1771338442644-42b812ef-ca4b-4340-a540-5cd348ae2885.jpeg?height=200","description":"<p>Haydn Green has been the creative force of <strong>Hear My Eyes</strong>, a sonic-visual, hybrid experience which blends film and music in creatively intriguing and boundary pushing ways. As the founder and artistic director of <strong>Hear My Eyes</strong>, Haydn reaches out to contemporary musicians to craft new scores for pre-existing cinema.</p><p>Collaborations include Sampa the Great rescoring Céline Sciamma's <em>Girlhood</em>, The Murlocs putting their spin on Gregor Jordan's <em>Two Hands</em>, while Springtime and Mick Harvey explored a new sonic landscape for Andrew Dominik's <em>Chopper</em>.</p><p>For its tenth anniversary, Haydn  Green has tapped Belgian electronic musician Peter Van Hoesen, powered by the Melbourne Electronic Sound Studio, to reimagine the music of James Cameron's iconic sci-fi classic, <em>Terminator 2: Judgment Day</em> (the original theatrical cut).</p><p>Visit <a href=\"https://www.hearmyeyes.com.au/\" rel=\"noopener noreferrer\" target=\"_blank\">HearMyEyes.com.au</a> for all tickets to the screenings taking place on the below dates:</p><p>Melbourne: Feb 25-28, Hamer Hall</p><p>Sydney: March 7, City Recital Hall</p><p>Canberra: March 18-19, Canberra Theatre</p>","author_name":"The Curb"}