{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/652249c535acc00011eba952/6979b2f83718a16cebc1b813?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Stellan Skarsgård on Sentimental Value","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/652249c535acc00011eba952/1769583321369-54d3063f-f6e9-42bb-8755-646c160786c0.jpeg?height=200","description":"<p>Stellan Skarsgård as Gustav Borg in Joachim Trier’s Sentimental Value is a man who is searching for connection with the two daughters, Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas) he effectively abandoned when he split from their just deceased mother.&nbsp;</p><p>The once storied director turns up at the funeral for his ex-wife and one of the first things he does is to reclaim a set of speakers from the home (a longstanding character in itself) that has housed members of his family for generations. Gustav is opinionated, arrogant, funny, and awkward. He’s written a screenplay for Nora, who is now a respected theatre actress, to star in but she doesn’t want anything to do with it or him.</p><p>The quiet truth is that Nora and Gustav are two similar souls who both struggle with connection and loneliness. Art is their form of expression but it can also be a burden they don’t know how to negotiate.</p><p>Nadine Whitney speaks with Stellan about how Gustav sees Nora and longs for her to return the recognition.</p><p>the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit <a href=\"https://www.thecurb.com.au/subscribe/\" rel=\"noopener noreferrer\" target=\"_blank\">thecurb.com.au/subscribe</a>, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.</p>","author_name":"The Curb"}