{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/651cae7e315af9001131d55f/6ab46496079b46c819949e70?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Never the Same Melody Twice with Akram Abdulfattah","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/651cae7e315af9001131d55f/1790207323758-e92ea607-f8c9-49be-bb19-34dab47a08ce.jpeg?height=200","description":"<p>How much can you change a melody before it becomes something else? Palestinian-American violinist and composer Akram Abdulfattah joins me to explore a tradition in which variation is part of learning the tune from the start.</p><p>Recorded at WOMEX in Finland in 2025, this conversation comes with plenty of violin demonstrations. Akram explains why a maqam is more than a scale, introduces the expressive possibilities between familiar notes, and shows how a phrase can take a different route each time it is played.</p><p>His six-string violin extends into an unusually low register. We hear what those extra strings make possible, how they change the physical experience of playing, and why the instrument can sound so close to a human voice. There is an original solo performance along the way.</p><p>We also talk about learning musical rules and finding freedom within them, Arabic roots and wider influences, and the pleasure of hearing a familiar melody change without losing its identity.</p><p>Towards the end, Akram reflects on music, family and his Palestinian-American identity, before we discuss the challenges of making a living as a musician and helping audiences discover something unfamiliar.</p><p><br></p><p><strong>IN THIS EPISODE</strong></p><p>00:00 – Welcome to Origin</p><p>00:26 – Introducing Akram Abdulfattah</p><p>02:33 – Live at WOMEX 2025</p><p>03:11 – Meet Akram</p><p>04:28 – Arabic roots, many influences</p><p>06:33 – Maqam: more than a scale</p><p>08:19 – Tarab and musical feeling</p><p>09:07 – The notes between the notes</p><p>10:29 – Hearing microtones on violin</p><p>16:49 – Tradition and improvisation</p><p>19:18 – Never the same melody twice</p><p>22:57 – A six-string violin</p><p>27:33 – An original solo performance</p><p>30:04 – Why the violin sounds like a voice</p><p>33:28 – What is music for?</p><p>36:08 – Music and Palestinian-American identity</p><p>39:02 – Where is music heading?</p><p>42:11 – Becoming more adventurous listeners</p><p>44:11 – Tradition, innovation and what comes next</p><p>46:47 – Support the show</p><p><br></p><p><strong>WATCH &amp; EXPLORE</strong></p><p><a href=\"https://akramabdulfattah.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Akram Abdulfattah — official website</a></p><p><a href=\"https://akramabdulfattah.com/music/\" rel=\"noopener noreferrer\" target=\"_blank\">Akram&#39;s music</a></p><p><a href=\"https://linktr.ee/akramabdulfattah\" rel=\"noopener noreferrer\" target=\"_blank\">Akram&#39;s listening and social links</a></p><p><br></p><p><strong>MUSIC FROM THIS EPISODE</strong></p><p>Live excerpts from WOMEX 2025, an original solo composition and violin demonstrations by Akram Abdulfattah.</p><p><br></p><p><strong>MORE FROM ORIGIN OF THE PIECES</strong></p><p><a href=\"https://www.originofthepieces.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Website — episodes, transcripts and mailing list</a></p><p><a href=\"https://youtube.com/@StevePretty\" rel=\"noopener noreferrer\" target=\"_blank\">YouTube</a></p><p><a href=\"https://www.patreon.com/StevePrettyOnTheOriginofthePieces\" rel=\"noopener noreferrer\" target=\"_blank\">Patreon</a></p><p>If you enjoy the show, please share it with a friend or leave a rating or review. Stay musically curious.</p>","author_name":"Steve Pretty"}