{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/651cae7e315af9001131d55f/6928fc3a635c16d6404a9300?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Mulatu Astatke, Ethio-jazz and Pentatonic Worlds","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/651cae7e315af9001131d55f/1764293601651-646f2ba6-15aa-4eef-8e03-4133252cefac.jpeg?height=200","description":"<p>From Addis to the Barbican and back again, this episode dives into the sound-world shaped by <strong>Mulatu Astatke</strong> — the father of Ethio jazz. With Mulatu having recently completed his farewell tour, Steve goes back to a long, previously-unreleased interview he recorded with him during the making of Hackney Colliery Band’s <em>Collaborations: Volume One</em>. What emerges is a portrait of a true pioneer: a composer trained in London and at Berklee, a collaborator with Duke Ellington, and the architect of a style heard across film soundtracks, samples and stages worldwide.</p><p><br></p><p>Expect discussions of Ethio jazz’s roots in traditional modes and tribal instruments; a journey through pentatonic and diminished scales; and Mulatu’s deep reflections on African musical heritage and collaboration. There’s even a live extract of <strong>Derashe</strong> from HCB’s Barbican show — the tune he discusses in the interview.</p><p><br></p><p>In this episode:</p><p><br></p><p>• How Mulatu fused Ethiopian pentatonic traditions with jazz harmony and improvisation.</p><p>• Why some Ethiopian tribes use diminished (whole–half) scales, and how that changes the emotional palette.</p><p>• The story of Duke Ellington’s Jazz Ambassadors tour — and how Ellington ended up performing one of Mulatu’s arrangements in Addis.</p><p>• The embilta, washint and other Ethiopian wind instruments that parallel trumpets, trombones and baritone sax.</p><p>• The link between African “bush” instruments, mbira/“African piano” traditions, and Western harmonic thinking.</p><p>• A rare 2018 interview captured at Livingston Studios during the HCB/Mulatu recording sessions.</p><p>• A live performance of <strong>Derashe</strong> from the Barbican, featuring Hackney Colliery Band and Mulatu Astatke.</p><p><br></p><p>Also in this episode, Steve welcomes listeners from the New Scientist Podcast and explores the science–music crossover behind shell acoustics, underwater sound, and the physics of musical evolution. Plus a reminder that the new <a href=\"http://www.originofthepieces.com\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Origin of the Pieces</strong> website</a> now includes full transcripts, an interactive world-map archive of every episode, and a growing library of extras.</p><p><br></p><p>And don’t miss the upcoming <a href=\"https://www.originofthepieces.com/live\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Wilton’s Music Hall</strong> shows on <strong>24th January 2026</strong></a>, including the first ever <strong>Origin KIDS</strong> matinee at 2pm and the evening performance at 7pm. <a href=\"https://www.originofthepieces.com/live\" rel=\"noopener noreferrer\" target=\"_blank\">TICKETS</a>.</p><p><br></p><p>🎧 Listen, rate and share to help more musically curious ears find the show.</p><p>💻 More episodes and extras at <strong>originofthepieces.com</strong></p><p>🪶 Patreon: <strong>https://patreon.com/StevePrettyOnTheOriginofthePieces</strong></p>","author_name":"Steve Pretty"}