{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6501a8474b92ff0011454aad/69f9e8431353c87e11c53c78?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Creating Epic Stories of High Fantasy (with Dungeon Master Jeffrey Robb)","description":"<p>What does it take to be interesting enough for people to brave the New York City subway to come and join you on a cold, wet, Tuesday night? Every Tuesday night?&nbsp;&nbsp;For two years?&nbsp;</p><p><br></p><p>In this episode, Adam Morgan is joined by Jeffrey Robb, professional Dungeon Master, actor, and educator, who runs paid games of Dungeons and Dragons up to eleven times a week across the five boroughs of New York. And what starts as a masterclass in epic, layered storytelling turns into something rather different. Because as Jeffrey explains, a great dungeon master isn't in fact there to tell an epic story; they're there to make it possible for a disparate group of people –– with different motivations, different expectations, different levels of commitment –– to create an epic story for themselves.</p><p>&nbsp;</p><p>There's a lot here for anyone trying to hold a room. Jeffrey and Adam explore:</p><p><br></p><ul><li>The importance of choices in storytelling experiences: why giving people agency over the narrative creates ownership (- and why the best choices always leave room for a secret third option)</li><li>Why it’s key to see the experience as ‘carefully managed chaos’: how the most inventive moments come from building a system flexible enough to be surprised by its own players</li><li>Where you do and don’t want surprise , and why it has to work in two very different ways here</li><li>The lessons Jeffrey learned from superhero comics and Shakespearean drama that he brings to the experiences he curates</li><li>The primacy of trust, and what a \"Session Zero\" can teach anyone who needs to unlock a group's imagination fast&nbsp;</li><li>What it means for good drama asks a question of its audience&nbsp;</li></ul><p><br></p><p>Along the way, there's a squeaky goblin, why it’s unexpectedly dull to play a villain, and what increasing consumer expectations mean in D&amp;D: why so many people now seem to want a burned village to avenge…</p><p>–</p><p>Let's Make This More Interesting is a podcast from <a href=\"https://open.acast.com/networks/6501a8474b92ff0011454abf/shows/6501a8474b92ff0011454aad/episodes/www.eatbigfish.com\" rel=\"noopener noreferrer\" target=\"_blank\">eatbigfish</a>: the strategic consultancy that helps ambitious Challengers to grow.</p><p><br></p><p>Follow Adam on&nbsp;Linkedin:&nbsp;<a href=\"https://www.linkedin.com/in/adam-morgan-3a473a/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.linkedin.com/in/adam-morgan-3a473a/</a>&nbsp;&nbsp;</p><p><br></p><p>Thanks to our editor Ruth and our producer Rachael.&nbsp;</p><p><br></p><p>Hosted on&nbsp;Acast. See&nbsp;acast.com/privacy&nbsp;for more information.&nbsp;</p>","author_name":"eatbigfish - Adam Morgan"}