{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/64d0fc7947e4930011ffd219/670fd01b1aff5e41d7d76647?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Can you copyright a rhythm? (with Oscar Atanga)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/64d0fc7947e4930011ffd219/1729088521522-9c36fe4b-395a-4bde-a9cb-a70322902d4d.jpeg?height=200","description":"<p>That's what the Jamaican production duo Steely &amp; Clevie are trying to do, with an ongoing lawsuit claiming ownership of the so-called \"dembow\" riddim – the basis for reggaeton worldwide. It's one of the most significant music copyright cases of the last decades, with significant and widespread implications for both the mainstream music world and underground dance music. To discuss the questions and possibilities that the lawsuit raises, Kikelomo and Otto Kent are joined by Oscar Atanga, a resident of the African Acid is the Future collective and <a href=\"https://refugeworldwide.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Refuge Worldwide</a> Berlin.</p><p><br></p><p>Electronic Beats Weekly is a production by Telekom <a href=\"https://www.instagram.com/electronicbeats/\" rel=\"noopener noreferrer\" target=\"_blank\">Electronic Beats</a> and <a href=\"https://www.instagram.com/acb.stories/\" rel=\"noopener noreferrer\" target=\"_blank\">ACB Stories</a>.</p><p><br></p><p>Host: <a href=\"https://www.instagram.com/0tt0_k3nt/\" rel=\"noopener noreferrer\" target=\"_blank\">OttO Kent</a> &amp; <a href=\"https://www.instagram.com/_kikelomo_\" rel=\"noopener noreferrer\" target=\"_blank\">Kikelomo</a></p><p>Writers:: Aaron Gonsher &amp; Merle Venzke</p><p>Producer: Aaron Gonsher</p><p>Edit and Sound Design: Marc Übel</p><p>Lead Producer: Isabel Woop</p><p><br></p><p><br></p>","author_name":"Telekom Electronic Beats"}