{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/648e0e2f22a5200011a98930/64daa1af73cfc00011348c48?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Two-Reeler: Not Suitable for a Sunday","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/648e0e2f22a5200011a98930/1692049696700-7b388726a23c10c584cb23464951d89f.jpeg?height=200","description":"<p>In this special <em>(shorter!)</em> episode of The Old Movie Lady Podcast, she talks about the dire survival record of films made pre-1929, and delves deep into two important films from 1923 featuring previously discussed Wampas Baby Stars: Flaming Youth <em>(Colleen Moore)</em> and Human Wreckage<em> (Bessie Love, Lucille Ricksen)</em>. How were sex and drugs handled in these lost films? What divided critics and audiences alike? And does scandal or sorrow help sell films?</p><p><br></p><p>Featuring the story of Wallace Reid and Dorothy Davenport.</p><p><br></p><p><em>This episode contains mention of drug use (including some historical terminology), as well as (mild) language that may be inappropriate for some listeners</em></p>","author_name":"Marg, The Old Movie Lady"}