Walter Hill's gritty 1992 action film Trespass flew under the radar at the time, but Cooder again broke new ground with his score. The music is unlike anything he had done before, and it heralds a phase closely associated with a new collaborator: jazz trumpeter Jon Hassell. In this episode we also look at Cooder's session work from the late eighties and early nineties. Having long since outgrown his role as a mere contract worker, Cooder now became more of a mentor and producer.
This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.
Written, produced and edited by Frank Schnelle
Theme and background music by Chris Haugen
Additional background music The Mini Vandals
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