In many ways, British crime authors are lucky. They stand on the shoulders of giants from the so-called 'Golden Age' of the genre: Agatha Christie, Dorothy L. Sayers, Margery Allingham, G.K. Chesterton and Ronald Knox were just a few of the greats who established both the rules of the genre, and laid the foundations for crime fiction's enduring popularity with UK and international readers. Our guest this week, Victoria Dowd, is an avowed fan of this era, so when it came to creating her new series, The Charlotte Blood Chronicles, it was natural that she set the opening novel, Death in the Aviary in 1928. Victoria has given both the traditional country house setting and locked mystery a twist: her cast of characters are trapped in a lift, the lights cut out, there's a shot, and a victim lies dead. As Victoria tells us, launching a new series in a historical period required huge levels of research, not least into the habits and behaviour of ravens! It's a departure from the books that established Victoria as one of Britain's rising crime-writing stars, The Smart Woman's Mystery Series. And it doesn't harm that Victoria is a former barrister who worked regularly at the Old Bailey.
Also this week, we ask is the CEO of Penguin Random House's response to the recent scandal engulfing Raynor Winn's The Salt Path adequate? And can you really give each of the novels long-listed for this year's Booker Prize a two word review?
https://www.amazon.co.uk/Death-Aviary-Charlotte-Blood-Chronicles/dp/1915523532
https://www.amazon.co.uk/COMPLETE-MYSTERIES-gripping-terribly-mysteries-ebook/dp/B0DQVHFGKB
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