{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/646e2f974c586000121b51ac/646e309e4c586000121b7387?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"At The Mermaid - Trailer","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/cover/1684942611178-f43e1ca00e1ab9e3659a6e6441860117.jpeg?height=200","description":"<p>&nbsp;</p><p>Home of Metal presents 'At The Mermaid'. The Mermaid was a large, dilapidated pub in Sparkhill, a working-class neighbourhood three miles south of Birmingham city centre. The laid-back landlords welcomed teenage punks, hippies and rockers to play weirdo music in the upstairs room, charging very little money for very bad cider. The Mermaid became a hub of DIY music scene in the 1980s, with £1 gigs, punk all-dayers, zine and tape swapping. It was also a site of political education for many, and hunt saboteurs gathered at the Mermaid before taking direct action.</p><p>&nbsp;</p><p>In creating this podcast, we interviewed people who were part of the Mermaid scene, featuring contributions from Justin Broadrick (Napalm Death, Godflesh, Final), Nicholas Bullen (Napalm Death), Stig C Miller (Amebix), Steve Charlesworth (Heresy), Steve Watson (Cerebral Fix), Mark Freeth (Ausgang) and more musicians and fans who made the Mermaid a vital place for underground music.</p><p>&nbsp;</p><p>Music heritage is all about the stories we tell around these little scenes, shining a torch on underground histories that could otherwise be forgotten in a haze of scrumpy and mushrooms.</p>","author_name":"Home of Metal"}