{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6452b6516dd22500113dc7ca/697b22e3f17fced4fd1a214b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"DISCOVERING EISENSTEIN: Part 2 - Neuroscientific collaborations.","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6452b6516dd22500113dc7ca/1769717953919-bcc5590b-c885-4974-acf4-0e2c3bbbeaa2.jpeg?height=200","description":"<p>Soviet era film director and theorist Sergei Eisenstein began collaborating with Alexander Luria and Lev Vigotsky, key figures in neuropsychology and developmental psychology, in 1925, the year he released his most famous film, Battleship Potemkin. Julia Vassilieva, after studying psychology in Moscow, got the opportunity to study the papers of Luria and Vigotsky, both of whom had a long term collaboration with Eisenstein. We talk about them, their work, Eisenstein's involvement in their research and what he took from them. Julia outlines the perilous times they lived in, Luria means of surviving the various purges and how out of favour Vigotsky was perhaps spared execution by dying of TB in 1934. We talk about what Eisenstein regarded as his life's work, the still largely untranslated 'Method' uncompleted when he died in 1948 and future directions for Eisenstein research. Another great transdisciplinary Brainland conversation.</p><p><br></p><p>Participants:</p><p>Julia Vassileva, Senior Lecturer in Film and Screen Studies at Monash University, Melbourne, Australia.<a href=\" https://research.monash.edu/en/persons/julia-vassilieva/\" rel=\"noopener noreferrer\" target=\"_blank\"> https://research.monash.edu/en/persons/julia-vassilieva/</a></p><p>Ian Christie, Professor of Film and Media History, Birkbeck, University of London. <a href=\"http://www.ianchristie.org\" rel=\"noopener noreferrer\" target=\"_blank\">www.ianchristie.org</a></p><p>Ken Barrett, visual artist, writer and retired neuropsychiatrist: <a href=\"http://www.kenbarrettstudio.co.uk\" rel=\"noopener noreferrer\" target=\"_blank\">http://www.kenbarrettstudio.co.uk</a></p><p>Papers by Julia: EISENSTEIN AND CULTURAL-HISTORICAL THEORY,&nbsp;&nbsp;2017,&nbsp;</p><p>The Flying Carpet. Studies on Eisenstein and Russian Cinema in Honor of Naum Kleiman</p><p><a href=\"https://www.academia.edu/40926187/EISENSTEIN_AND_CULTURAL_HISTORICAL_THEORY\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.academia.edu/40926187/</a></p><p>\"The Eisenstein-Vygotsky-Luria Collaboration\",&nbsp;2019,&nbsp;Projections</p><p><a href=\"https://www.academia.edu/100293838/The_Eisenstein_Vygotsky_Luria_Collaboration\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.academia.edu/100293838/The_Eisenstein_Vygotsky_Luria_Collaboration</a></p><p>\"Psychological Humanities, Sciences, and the Arts in Russia\"</p><p>in&nbsp;Oxford Research Encyclopedia of Psychology,2020</p><p><a href=\"https://www.academia.edu/100293865/Psychological_Humanities_Sciences_and_the_Arts_in_Russia\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.academia.edu/100293865/Psychological_Humanities_Sciences_and_the_Arts_in_Russia</a></p><p>\"Sergei Eisenstein\", in Screening the Past,&nbsp;December 2017&nbsp;&nbsp;<a href=\"https://www.sensesofcinema.com/category/great-directors/\" rel=\"noopener noreferrer\" target=\"_blank\">Great Directors</a><a href=\"https://www.sensesofcinema.com/issues/issue-85\" rel=\"noopener noreferrer\" target=\"_blank\">Issue 85</a></p><p><a href=\"https://www.sensesofcinema.com/2017/great-directors/sergei-eisenstein/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.sensesofcinema.com/2017/great-directors/sergei-eisenstein/</a></p><p>Oksana Bulgakowa’s biography of Eisenstein:<a href=\"https://europe.potemkinpress.com/products/oksana-bulgakowa-sergei-eisenstein-a-biography-1\" rel=\"noopener noreferrer\" target=\"_blank\"> https://europe.potemkinpress.com/products/oksana-bulgakowa-sergei-eisenstein-a-biography-1</a></p><p>More on Eisenstein: <a href=\"https://en.wikipedia.org/wiki/Sergei_Eisenstein\" rel=\"noopener noreferrer\" target=\"_blank\">https://en.wikipedia.org/wiki/Sergei_Eisenstein</a></p><p>Julia and Ian's recent book 'Eisenstein Universe'. <a href=\"https://www.bloomsbury.com/uk/eisenstein-universe-9781350142091/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>https://www.bloomsbury.com/uk/eisenstein-universe-9781350142091/</em></a></p><p>More on A.R.Luria: <a href=\"https://en.wikipedia.org/wiki/Alexander_Luria\" rel=\"noopener noreferrer\" target=\"_blank\">https://en.wikipedia.org/wiki/Alexander_Luria</a></p><p>A. R. Luria's 'The man with the shattered world'<a href=\": https://www.hup.harvard.edu/books/9780674546257\" rel=\"noopener noreferrer\" target=\"_blank\">: https://www.hup.harvard.edu/books/9780674546257</a></p><p>Lev Vigotsky: <a href=\"https://en.wikipedia.org/wiki/Lev_Vygotsky\" rel=\"noopener noreferrer\" target=\"_blank\">https://en.wikipedia.org/wiki/Lev_Vygotsky</a></p><p>Vigotsky's 'Psychology of Art':<a href=\" https://mitpress.mit.edu/9780262720052/the-psychology-of-art/ \" rel=\"noopener noreferrer\" target=\"_blank\"> https://mitpress.mit.edu/9780262720052/the-psychology-of-art/ </a></p><p><br></p><p>Opening music: Prelude to the opera <em>Brainland</em>, composed by Stephen Brown.&nbsp;</p><p>Brainland the opera website: <a href=\"http://www.brainlandtheopera.co.uk\" rel=\"noopener noreferrer\" target=\"_blank\">www.brainlandtheopera.co.uk</a></p><p>Portrait sketch by KB</p>","author_name":"Ken Barrett"}