{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/644b9fdfd0f6e200127cf477/6457b5a0109688001162424b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Chapter 4 - War","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/644b9fdfd0f6e200127cf477/1682677967110-37f495cc2bd9ae8d1b9b8e75bc2c87fe.jpeg?height=200","description":"<p>In the 4th episode of U2-Y, we discuss the album that closes the first trilogy of releases.</p><p>'War', released in 1983, was a highly respected record, with the design work itself netting Steve a Music Week award, much to his surprise.</p><p><br></p><p>We discuss how the record that gave us the iconic and potent track, 'Sunday Bloody Sunday', drew its influences from war photography, propaganda and newsprint iconography.</p><p>We also discuss the link back to the debut album and how the 'Boy' featured on one sleeve, who was once representing innocence, is now a symbol of tragedy.</p><p><br></p><p>This would also be the first time Steve would work with the great Anton Corbijn.</p><p><br></p><p><a href=\"https://www.instagram.com/stephenaverilldesign/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.instagram.com/stephenaverilldesign/</a></p><p><a href=\"https://www.stephenaverill.com/u2y\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.stephenaverill.com/u2y</a></p>","author_name":"Gareth Averill"}