{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/64147e75d7071d0011436d2f/69b1bf6aa9beefe722ed3b8e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"(484) Deborah Wingert on Marcia Dale Weary, Balanchine, and Preserving Ballet Lineage","description":"<p>Listen to Conversations on Dance ad-free on Patreon: <a href=\"https://www.patreon.com/cw/conversationsondance\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.patreon.com/cw/conversationsondance</a></p><p><br></p><p>Today on the Conversations on Dance podcast, we talk with former New York City Ballet dancer and Balanchine répétiteur Deborah Wingert about her early training at Central Pennsylvania Youth Ballet, where rigorous daily classes, musical and artistic context, and early teaching responsibilities shaped her discipline and curiosity. Wingert recounts being accepted to the School of American Ballet, performing key workshop roles, and joining NYCB at 16, including formative experiences and personal coaching from George Balanchine before his death in 1983. She describes thriving as a detail-oriented “sponge,” navigating later casting and body-image pressures, and building a wide repertory across Balanchine and Robbins works. After leaving NYCB, she began teaching privately and at multiple New York schools, then expanded into staging Balanchine works around the world.</p><p><br></p><p><br></p><p>00:00&nbsp;Meet The Hosts</p><p>00:11&nbsp;Debra Wingert Overview</p><p>01:35&nbsp;First Ballet Spark</p><p>04:16&nbsp;CPYB Magic And Context</p><p>06:31&nbsp;Rigor And Early Teaching</p><p>14:24&nbsp;SAB Audition And Move</p><p>16:50&nbsp;Workshop Breakthrough Roles</p><p>18:57&nbsp;Joining NYCB At Sixteen</p><p>25:10&nbsp;Balanchine Coaching Moments</p><p>27:21&nbsp;Life After Balanchine</p><p>28:19&nbsp;Other SAB Teachers</p><p>33:22&nbsp;Body Image And Confidence</p><p>35:09&nbsp;Backstage Ballet Devotion</p><p>35:34&nbsp;Staying in the Company</p><p>36:39&nbsp;Outside Projects and Robbins</p><p>38:07&nbsp;Leaving NYCB and Starting to Teach</p><p>40:55&nbsp;Outreach and Repertory Staging</p><p>43:10&nbsp;Learning to Stage New Works</p><p>45:33&nbsp;Musicality and Version Options</p><p>51:18&nbsp;Keeping Patterns and Details Alive</p><p>55:56&nbsp;Dream Ballets and Future Stagings</p><p>01:04:06&nbsp;Closing Thanks and Signoff</p><p><br></p>","author_name":"Michael Sean Breeden & Rebecca King Ferraro"}