{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/641338125bde790011089c5b/686eed23fe25e4b1db7c1159?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":" Postmodernism and the Twelfth. In Moygashel, they’re eating the dogs, they’re eating the cats","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/641338125bde790011089c5b/1752096118959-2a734861-1236-4dc3-9bbf-eb84c7820719.jpeg?height=200","description":"<p>When the pictures emerged of the loyalist bonfire in Moygashel in Co Tyrone, most people were horrified at the migrant boat effigy at the top.&nbsp;</p><p>Politicians condemned it and called for action but others insisted it was in fact an act or ‘artistic protest’.</p><p>On <strong><em>Free State</em></strong>, Joe and Dion look at the celebrations around the Twelfth of July, not as the desperate acts of a lost people, but as an artistic installation.</p><p>Have we failed to understand the subversive power and artistic merit of Loyalism for generations? Or should we look at this artistic protest as a brutal sign of a community punching down as they search for people to blame?</p>","author_name":"Gold Hat Productions"}