{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/63e207f6b455cc0011e1e7a5/6a2e80d4252d86e846e2d140?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"#43 Lea Bischofberger","description":"<p>I'm speaking today with <a href=\"https://www.leabischofberger.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Lea Bischofberger</a>, a Zurich-based gallerist and art dealer whose life and work are bound up with one of the most remarkable legacies in postwar and contemporary art.</p><p><br></p><p>The Bischofberger name runs through some of the defining artistic relationships of the late twentieth century. Her father, Bruno (who passed away in late spring 2026), was a legendary gallerist who worked with Andy Warhol, Jean-Michel Basquiat and Jean Tinguely, as well as Francesco Clemente, Julian Schnabel, David Salle, George Condo, Miquel Barceló, Enzo Cucchi, Peter Halley and Mike Bidlo.</p><p><br></p><p>But Lea's story isn't only one of inheritance. It is also one of proximity, intuition, independence and renewal. Having grown up close to the artists, collections and conversations that helped shape art history, she now carries that experience into her own gallery work in Zurich.</p><p><br></p><p>Through Lea Bischofberger Gallery and Lele Projects, she has shown artists including Kate Daudy, Geraldina Bassani Antivari, Ashkan Sahihi, Roberto Ruspoli, Aryana Sheibani and Ulf Saupe. The programme suggests a more intimate and exploratory chapter, one attentive to memory, materiality, portraiture, language and psychological presence.</p><p><br></p><p>In this conversation we talk about legacy, taste, the changing role of the art dealer, Zurich as an art-world city, and what it means to carry history forward without being defined by it.</p>","author_name":"Roland-Philippe Kretzschmar"}